例句與造句

1. We obtain commas of four different sizes : the diaschisma, the lesser diesis, the syntonic comma, and the greater diesis.
2. Thus, to avoid ambiguity, it is preferable to call them " greater tone " and " lesser tone " ( see also greater and lesser diesis ).
3. Division of the octave into 31 steps arose naturally out of Renaissance music theory; the lesser diesis & mdash; the ratio of an octave to three major thirds, 128 : 125 or 41.06 cents & mdash; was approximately a 7-limit harmony.
4. Division of the octave into 31 steps arose naturally out of Renaissance music theory; the lesser diesis  the ratio of an octave to three major thirds, 128 : 125 or 41.06 cents  was approximately a Teyler's Museum in Haarlem in 1951.
5. Since S 1 ( the " just A1 " ) and S 3 ( the " just m2 " ) are the most often occurring semitones in this 12-tone scale ( see tables above ), the lesser diesis, being defined as the ratio between them, is the most often observed comma.
6. It's difficult to find lesser diesis in a sentence. 用lesser diesis造句挺難的
7. In quarter-comma meantone, seven of them are diatonic, and 117.1 cents wide, while the other five are chromatic, and 76.0 cents wide; they differ by the lesser diesis of ratio 128 : 125 or 41.1 cents . 12-tone scales tuned in just intonation typically define three or four kinds of semitones.
8. Unlike divisions of the octave into 19, 31 or 53 steps, which can be considered as being derived from ancient Greek intervals ( the greater and lesser diesis and the syntonic comma ), division into 34 steps did not arise'naturally'out of older music theory, although Cyriakus Schneegass proposed a meantone system with 34 divisions based in effect on half a chromatic semitone ( the difference between a major third and a minor third, 25 / 24 or 70.67 cents ).